PAINTING MATTER special edition
PESCE KHETE

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Artist book, edition of 25 copies + 5 artist proof, numbered and signed, containing the standard catalog more 4 different painting each signed, screenprint on leather color folder 820 gsm, 43 x 28.5 cm, 2019. Produced for the exhibition Sinossi (bon voyage) by Pesce Khete, Rome 2019. GO TO SHOP
Libro d’artista e catalogo della mostra Sinossi (bon voyage) di Pesce Khete, presso Colli Independent, Roma. Analizzando diversi cataloghi d’arte, di pittura, per individuare le tipologie di schedatura delle opere in pittura. Strumento descrittivo della materia della pittura, la scheda supporta l’immagine a restituire in solido l’opera, usando codici fisico-dimensionali, contestuali, di proprietà: rendendosi “discorsiva” raggiunge la narratività o la processualità. Partendo da una bibliografia selezionata di tipi di pubblicazioni sulla pittura, anche “maestra”, si sperimenta questo dispositivo letterario per indagare l’opera di un artista con parametri poetici-tecnici, in parte prestati dalla storiografia artistica. Versione a tiratura speciale con cartella in serigrafia contenente la versione standard in aggiunta a quattro tavole pittoriche originali e uniche, tutte firmate nel retro.
Artist’s book by Pesce Khete which is also the catalogue of his exhibition Sinossi (bon voyage) at Colli Independent, Rome. Looking at art catalogues and painting catlogues to identify how to catalogue paintings. This book is a descriptive tool of the matter of painting, where “data sheets” support images, using codes. This book is concieved to investigate the work of an artist through poetic-technical parameters, partly inspired to artistic historiography. special edition version with screenprint folder more four original paintings each unique and signed on the back

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ARMIN LINKE
MEDIA LINIEN

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Armin Linke, 2016, 46 x 33 cm, portfolio-folder covered with blue canvas + 12 offset print photos, edition of 50 copies, numbered and signed.
The portfolio contain 12 photographs from the Media Linien archive, part of a larger project on the work of the architect Hans Hollein and originally commissioned by the MAK Museum in Vienna and Museum Abteiberg in Mönchengladbach. The archive focuses on the architectural complex projected by Hollein in Munich for the 1972 Olympic Games. Media Linien is part of a larger research based on “architecture, sports and society”. BUY NOW

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Massimiliano T. Rezza
Die andere Seite

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“Die andere Seite” is a project focused on the collection and accumulation of images rescued from the Internet, and selected not in terms of a pre-established logic but rather with a desire to deconstruct the rules of fotogenia. Following the concept of “frame,” the artist extracts images from their contexts of production to question the way in which they have been documented.


Die andere Seite_1, Stampa a getto d’inchiostro (Inkjet print) su carta Hahnemühle Photo Rag Ultra Smooth 305 gsm - 100% cotton - white.


Die andere Seite_1, Inkjet print on Hahnemühle Photo Rag Ultra Smooth 305 gsm paper- 100% cotton – white.

Die andere Seite_2, Stampa a getto d’inchiostro (Inkjet print) su carta Hahnemühle Photo Rag Ultra Smooth 305 gsm - 100% cotton - white.


Die andere Seite_2, Inkjet print on Hahnemühle Photo Rag Ultra Smooth 305 gsm paper- 100% cotton – white.

Die andere Seite_3, Stampa a getto d’inchiostro (Inkjet print) su carta Hahnemühle Photo Rag Ultra Smooth 305 gsm - 100% cotton - white.


Die andere Seite_3, Inkjet print on paper Hahnemühle Photo Rag Ultra Smooth 305 gsm – 100% cotton – white.

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DEXTER SINISTER
STAMPA PROGRAMMATA

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Dexter Sinister, 2017, silkscreen print on matte coated paper Burgo Satin 115 gsm, 100 x 70 cm, limited edition of 50 numbered and signed copies. Produced for the exhibition “…Meet the Tetracono”, 2017. BUY NOW
The Tetracono is a commercial product and art edition designed in 1965 by Bruno Munari for Danese Milano. It is an austere 15-cm black steel cube housing four aluminum cones, each painted half-red and half-green, and designed to spin at four distinct speeds on an 18-minute cycle completing a slow transition from green to red. Its function according to Munari is to “show forms while they are in the process of becoming.”

This screenprint uses the 4-color Cyan-Magenta-Yellow-Black printing process to capture 4 distinct moments in this 18-minute cycle in one composite image. The Cyan plate is taken from 3 minutes into the 18-minute cycle. The Magenta plate is taken from 6 minutes into the 18-minute cycle. The Yellow plate is taken from 9 minutes into the 18-minute cycle. The Black plate is taken from 12 minutes into the 18-minute cycle. Printing all four plates on top of each other produces a kind of “time sandwich,” the impossible image of the Tetracono as it changes.